Billy Ray Sims Basketmaker
Traditional white oak and splint basketry
It’s All in the De “tails”
10″ x 10″ x 48″
Here’s white oak fish trap that was a boatload of fun to make. It’s modeled on a trap made by old-time South Carolina basket weaver Elbert Brown that is part of the McKissick Museum collection.
Elbert Brown
Thanks to the great staff at the McKissick in Columbia, SC for letting me closely study their assortment of fish traps.
(Click on any photo to enlarge image.)
Lessons from the Past
Potato Basket
21″ x 21″ x 9″
Rib-work construction; hand-split white oak
There are few basket makers who work with white oak. It’s labor intensive—this basket required hand splitting the good part of two small oak trees—and most of those with the know-how are getting on in years.
Although I’ve been blessed to learn from several master basket makers, the teacher for this basket died long ago. It’s an interpretation of a Pennsylvania field basket likely made in the late 19th century. As I learned by trial and error how to carve, whittle and bend the big ribs of the basket you see here, I marveled at evidence of how the original was created by sure and confident hands. And I felt perhaps some old boy was looking down on me from above, and smiling as I carried forward lessons from his work.
Appalachian Egg Basket
11″ x 14″ x 10″
Carved, whittled, woven, rib work construction; hand-split white oak
This basket is in the Smithsonian American Art Museum as a gift from Martha G. Ware and Steven R. Cole.
It’s based on an Appalachian style known as a Gizzard basket that allows you to carry eggs and other fragile goods safely over the back of a horse to market, or riding snugly against your hip when walking. The round-ribbed and lobed shape was challenging and a process that involved many hours of splitting, scraping, carving, and weaving splits.
White Oak Fish Creel
White Oak Creel
8″x12″x6″
Split-work construction; white oak weaving and quarter-sawn oak lid; saddle leather strap
The basket shown is in the Smithsonian American Art Museum, a gift of Martha G. Ware and Steven R. Cole.
It’s made on a mold to maintain a perfect shape and will make a great complement to a fine bamboo fly rod. Or, as my cycling friends were keen to suggest, it makes a primo handlebar basket (without the lid).This is a popular basket that will make a wonderful and durable heirloom.
Sweetgrass Rice Fanner
2 1/4″ x 16″ x 16″
Coiled and sewn construction; sweetgrass, bulrush, palmetto
Some 15 years ago, I lived on an old wooden sailboat on the Stono River just south of Charleston, SC. Newly divorced and in need of healing, I sought out ways to connect with interesting people in this quietly beautiful and soulful place. And so I took up surfing, for which I never gained any proficiency, and sweetgrass basket making. 
When I first arrived at the community center where basket maker Harriet Brown taught classes, mostly to suburban women, she seemed to hardly notice. Surely she thought I was in the wrong class or wouldn’t have the aptitude, since weaving with sweetgrass takes patience, a good eye, and nimble fingers. My first lopsided basket appeared to prove her right!
But I kept coming back, and coming back, and eventually Harriett took me seriously. She shared not only the rules of good basketry (“You’s got to feed the baby (row) to keep it growing steady”), but also stories of her own amazing life and that of her family, some of whom had woven baskets as slaves at the nearby Boone Hall Plantation in the 19th century. (The basket shown above is a decorative version of those originally used to winnow rice.)
Over the ensuing years, Harriet and I became very close, even after I moved away and began life in a new place. Sewing numerous baskets by her side, with her gentle encouragement and close scrutiny, I believe I mended my frayed heart and dreams, row upon row.
Black Ash Pack Baskets
22″ x 13″ x 9″
Woven, split-work construction; hand-split black ash and white oak, saddle leather straps
Woven from New Hampshire black ash with white oak rim and handle, this basket was a fun take on the traditional New England pack basket. It has a bit of flare from the belly to the rim that you typically don’t see in these baskets, but I wanted to give it a more sculpted shape.
New England black ash is the Lexus of split wood basket materials, as opposed to the Mac truck, contrary nature of Southern white oak with which I typically wrangle.
Special thanks to Jack Leadley (shown left) for tutoring me on his method of creating and attaching straps to the pack. Jack is an Adirondak renaissance woodsman who’s likely busy right now in his sugar shack making maple syrup.
Below is a much larger pack basket I made while working with renowned basket maker John McGuire.
